'God's Not Dead' Makes Box-Office History

[schwartzie]

Have any of you seen this yet?  Seems like most of the "Christian" movies are garbage - Son of God, Noah, and there's the silly Heaven Is For Real movie coming out soon.  A Biblically sound movie sure would be a welcome change from all the trash that Hollyweird produces! 

'God's Not Dead' Makes Box-Office History
11:30AM EDT 3/24/2014 Ben Kayser/Movieguide


'God's Not Dead' 'God's Not Dead,' which pulled in $8.5 million on its opening weekend, stands as further proof of the desire to see faith-affirming movies on the big screen. (Pure Flix Entertainment)

Divergent may have been the No. 1 movie at the box office this past weekend, but the movie everyone is talking about is the independent faith-based movie God's Not Dead.

Pulling in $8.5 million on the first weekend and amassing an impressive $10,979 per-screen average, the movie stands as further proof of the desire to see faith-affirming movies on the big screen.

God's Not Dead is a movie about Josh Wheaton, a freshman college student who is forced to defend his Christian faith against an angry philosophy professor. Starring Kevin Sorbo as the atheist professor, David A.R. White as a priest who encourages Josh and guest appearances by Duck Dynasty stars Willie and Korie Robertson, the movie also ends with a performance from the Newsboys as they perform their song "God’s Not Dead."

Freestyle Releasing co-president Mark Borde, who distributed the Pure Flix Entertainment movie, states, “While this huge opening may be a surprise to the industry, it is not so much to us. The in-house tracking, the legitimate 1 million Facebook fans, the very high trending on Twitter and Fandango among many other platforms, and the huge positive reaction from the hundreds of screenings over the many past months, gave us hope for a significant opening.”

With Son of God already pulling in $55 million domestically and several other-faith based films slated for the next month, including Noah and Heaven Is for Real, it seems quite clear that more than ever, God is working in the hearts and minds of Americans through the medium of movies.

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[PurplePuppy]

God's Not Dead... but Christian Films are on Life Support

Debbie Holloway, Assistant Editor, Crosswalk.com


Release Date: March 21, 2014
Rating: PG
Genre: Drama/Family
Run Time: 112 min.
Director: Harold Cronk
Cast: Willie & Korie Robertson, Kevin Sorbo, David A.R. White, Shane Harper, The Newsboys

As unfortunate as it may be to admit, "Christian movies" have something of a track record.

Often the purpose of the filmmaker is clear, if not bluntly stated: to win souls, bolster the faith of believers, or even simply to get the name of Jesus to a theater near you. All too often, however, these well-meaning Christian films are marked by substandard acting, careless plot-holes, and contrived situations. Christian audiences flock to see such films, forgiving shortcomings and encouraging friends and family to support the Christian film industry by going out to see it and talking it up on Facebook.

And yes, the end result of proclaiming the Gospel is a worthy one. After all, who knows what soul may be touched by the story presented? If even one person comes to seek Christ in a deeper way, many argue, the film has been worth it – no matter how poorly made or artistically subpar.

But this artist and critic has begun to wonder, is the end truly justifying the means?

I would love to say that PureFlix Entertainment’s God's Not Dead accomplishes its goals through strong storytelling, a clever script, and well-rounded, well-acted characters, but unfortunately that's not the case. Though this Christian-celebrity-cameo-filled affair tries to make a profound statement about bold faith, it falls prey to several predictable blunders.

The film begins harmlessly enough, with an opening montage that introduces several unconnected characters, the most prominent being a freshmen couple at a college campus preparing to begin their foray into the world of university academics. Kara (Cassidy Gifford) is excited about their future; she and Josh have been a couple for six years, and she seems to have the next 60 planned out too. Josh (an underwhelming, brooding Shane Harper) is more laid back, and is thrown a curve ball on his first day of Philosophy class. This kind, Newsboys-loving, Christian teen has landed in the classroom of a militant atheist professor, one who wastes no time in proclaiming to his class of freshmen, "God is dead."

In an attempt to bypass conventional philosophical debate over the existence of God, Professor Radisson (Kevin Sorbo) passes out blank pieces of paper to his classroom and instructs them all to write "God is dead" and sign their names. Josh, obviously, falters under this directive, and explains to his professor that, as a Christian, he cannot sign such a statement. The aggressive, controlling Radisson insists that if Josh won't do it, he has three chances to prove God's existence to the classroom or risk a failing grade. Josh accepts the challenge, much to the chagrin of his girlfriend, and the story sets off from there.

The earnest young Christian standing up for his faith is a plot Christian audiences will relate to. After all, we live in an age of plurality and political correctness where lawsuits abound and there’s a lot of negativity associated with Christianity. The film comes across as self-satisfied, however, in a way that would likely feel polarizing and incomplete to a non-believer. Regrettably, most moments of poignancy and nobility this film can claim are overshadowed by this simplicity and a few other major flaws.

One such example is that the film gives an underly-dynamic presentation of its characters. Every non-Christian character in the film is amoral, disrespectful, and vicious. One wonders: do the script writers view all non-Christians as being incapable of the barest common decency? Alternately, every Christian character somehow ends up at the same Newsboys concert at the end of the film. Is this because these filmmakers think all Christians go to the same Christian concerts in this manner, or is it simply a lazy way for writers to further the story for their own purposes? And why must every sad and sobering moment in movies take place in the rain?

With these tropes and unrealistic scenarios, it’s difficult to take much of the film seriously. But even the predictable plot and one-dimensional characters would be salvageable if only the characters would behave and speak in ways that make sense – in ways that people in real life behave and speak. Unfortunately, this crucial element is sorely lacking from God's Not Dead.

For example, when a young liberal reporter (a caricature of a role played by Trisha LaFache) accosts Willie and Korie Robertson (playing themselves), the scene is cartoon-like. She wields her recording device in a clenched hand and a nearly hyper-flexed arm straight toward the friendly couple, as if she’s afraid to get too close and catch what they've got. When they graciously agree to an impromptu interview, she begins with a snide jab at Korie, saying she's "surprised to see her" (even though the family is clearly just walking into church) and that she would have expected Korie would be at home "barefoot and pregnant."

The list goes on and on. Couples break up in public places with bizarre, stilted dialogue. When a woman is told she has cancer by her doctor, her immediate response is "I don't have time to have cancer. I'm too busy." Two men about to embark on a 12-hour road trip are unable to start their car, so they call for a rental car (which doesn’t come ‘til the end of the day), and then when the rental is a dud… they decide to wait til the next morning for another rental (somehow, none of the adult men involved thinks to have the car towed to a mechanic and simply have the battery replaced). Logic is sacrificed again and again for the sake of moving the plot forward. But because everyone's dialogue and actions are so devoid of coherence, the plot feels forced. Many scenes that should be touching, or moments that should evoke empathy, leave you scratching your head, wondering, "Why did that just happen?"

Yes, God's Not Dead will make you feel supported, possibly even inspired. You'll get to see Willie Robertson and Michael Tait wax poetic on their love for Jesus Christ. You'll get to see a dozen different characters turn their lives toward Christ (if you can manage to keep them all straight enough to care deeply about any of them).

But is it really worth it? Is this pat-on-the-back type of inspiration worth the inevitable dismissal by non-Christians for its cheesy script and manufactured plot? Is it a "necessary evil" to support such lackluster films for the cause of Christ? Do the noble ends justify the means to get there? Perhaps more importantly, is it even possible for movies about God to simultaneously be movies that are good art?

Yes. It's been done many times. Movies like The Prince of Egypt and The Tree of Life come to mind as two of the most well-crafted, star-studded, magnificent films in recent years which also happen to be incredible stories of faith.

At the end of God's Not Dead, viewers are encouraged to send a text message to everyone in their contact list proclaiming "God's Not Dead." You can do this, if you think it will spread the love and message of Christ to your friends and family. If, however, you live in a more nuanced reality, one where actions and conversations and relationships with real people take time and patience to grow, maybe you'll pray for them instead. Maybe you'll send a text to just one person saying "I'm thinking of you, let me know if you ever need anything."

Or maybe you're an artist, and you're just waiting for the right time to unleash your creativity and passion in a way that will not only point to God, but will be thoughtful, well-crafted, and carried by a story that connects to the human heart.

After all, our God is alive – and the ultimate artist. Doesn't he deserve thoughtful, worthy art attached to his name more than just an on-screen-tract?

CAUTIONS (may contain spoilers):

Drugs/Alcohol: People are shown drinking wine
Language/Profanity: None
Sex/Nudity: None
Violence: A man is shown being hit by a car and killed; a young woman is slapped across the face by her father


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